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Mario Perez drawings

  • SPEC 84
  • Coleção
  • circa 1991

The Mario Perez drawings consist of three sheets of sketches by Perez when he was a student for a class taught by Burne Hogarth.

Perez, Mario

Morgan Sinclaire photographs

  • SPEC 67
  • Coleção
  • 1934-1990

The Morgan Sinclaire photographs are images of Art Center Photography Department field trips and studio assignments shot by Sinclaire while he was a student. Also included are photographs he took later in life while traveling.

Sinclaire, Morgan

George Jergenson papers

  • SPEC 11
  • Coleção
  • circa 1900-1989

The George Jergenson papers offer an overview of his life, especially his career in industrial design. Organized during his retirement years, this collection consists of correspondence, scrapbooks, photographs, and artwork. One of the highlights is the General Motors Train of Tomorrow that he designed, a three-year labor of love for Jergenson. From concept sketches to spec sheets to a film of the finished cars, the collection documents the entire project. Another focus of this collection is his surface development teaching materials which he used while at General Motors to share his expertise with young designers and engineers.
Series 1 contains personal materials including biographical notes with ancestral origins, lists of events, financial papers, and detailed accounts of his departure from Art Center.
Series 2 consists of letters from Jergenson's employment at General Motors Styling and Art Center School, as head of Industrial Design. Occasional course outlines, meeting minutes, and expense reports can also be found.
Series 3 contains course outlines, lecture notes, annotated bibliographies, speeches, and reports compiled by Jergenson while teaching at Art Center and in later years. A 1959 re-accreditation report from Art Center reviews curriculum, student services, demographics, school events, and a professional directory.
Series 4 contains materials related to Jergenson's freelance work from 1944-1968 for American Motors Corporation (AMC), Outboard Marine Corporation, and Pan Am. Included are correspondence, contracts, design evaluations, market research reports, meeting notes, and technical drawings.
Series 5 consists of work Jergenson did while at General Motors Styling. The earlier files relate to his design work for the Train of Tomorrow. The later files showcase his expertise in surface development.
Series 6 contains materials related to several professional industrial design organizations including IDEA, IDI and IDSA. This series also includes materials from the Society of Art Center Alumni such as articles of incorporation, correspondence about scholarships and contributions, and meeting minutes.
Series 7 consists of an array of images from throughout Jergenson's life. Included here are family photographs and slides of his paintings. There are images from Art Center and a surface development slide show. Of interest are photos of his design sketches for the Train of Tomorrow. There are also slides of Eero Saarinen's iconic Styling Administration Building at the General Motors Technical Center.
Series 8 contains seven scrapbooks which offer an overview of Jergenson's life, especially his careers in industrial design and education. Compiled by Jergenson in the 1980s, they consist mostly of clippings, photographs, and correspondence with some handwritten exposition.
Series 9 has five 8mm movies shot by Jergenson. The films cover the General Motors Train of Tomorrow, Art Center trips to Paris, London, and Japan, and the Catalina Project, a Product Design student project.
Series 10 contains original paintings by Jergenson, as well as a few items from other artists. Also included is a list of titles, dates, and other details for slides of Jergenson's paintings.

Jergenson, George

Harold Stegman papers

  • SPEC 8
  • Coleção
  • 1949-1954, 1987

The Harold Stegman papers consist of a silent film he created as a student and a book of photographs that supplemented the project. The workprint footage documents the operations of the California Production Service of Southern California, a petroleum company. Also included are two articles about Stegman’s professional work.

Stegman, Harold

Mary Vartikian artwork

  • SPEC 82
  • Coleção
  • circa 1960-1986

Mostly artwork and some documents from the estate of Mary Vartikian, who taught at Art Center from the mid-1950s - 1986. Collection includes: numerous sketches and drawings, Art Center documents and publications, 11 costume design paintings, slides of Vartikian's work and of her teaching, 6 paintings, portfolio of photographic prints taken by Vartikian, 3 photographic prints of Mary Vartikian and George Harris, portfolio of student work, 1 collage (design for "Diggins" painting), George Harris book, "Nonsense and Numbers."

Vartikian, Mary

Jason Hailey papers

  • SPEC 7
  • Coleção
  • 1949-1984

The Jason Hailey papers are mainly photographs taken by or of Hailey while he was a student in the Photography Department. Also included are a course announcement, syllabus, and photographs from when he returned to Art Center as an instructor. The exhibition announcement is for a photography show he was in with other Art Center alumni.

Hailey, Jason

Lorraine Streeter photographs

  • SPEC 44
  • Coleção
  • 1960-1984

The Lorraine Streeter photographs were collected by Streeter while she was Director of the Photography Department. The collection consists mainly of class photos and student work. In many of the class photos, the students pose with a sculpture of a man's head.

Streeter, Lorraine

Center for the Student Experience (CSE) records

  • 54
  • Fundos
  • 1983-

The Center for the Student Experience collection consists of materials created and distributed by the CSE. The administrative files in Series 1 reflect their work with student orientations, international students, events, and the Student Leadership Award. Series 2 and 3 have student handbooks and health insurance plans respectively. Included in Series 4 of this collection are records from student organizations, except Art Center Student Government which has its own collection (RG 54.03). Series 5 contains The Installment, a typically monthly newsletter of announcements and wellness tips. Series 6 houses student-designed t-shirts that are distributed to new students at orientation.

Images from CSE-sponsored events starting in the mid-1980s can be found in the Photograph collection.

Center for the Student Experience

Dennis Hill photographs

  • SPEC 33
  • Coleção
  • 1978

The Dennis Hill photographs is a group shot of Photography students who entered in Summer 1978.

Hill, Dennis

Douglas Baldwin papers

  • SPEC 36
  • Coleção
  • 1978

The Douglas Baldwin papers consist of a book of 22 color photographs, taken by Baldwin, of the dedication of Art Center's James Lemont Fogg Memorial Library and three later photos of the library's interior. An excerpt of the dedication speech given by President Donald Kubly is included. The book is unbound (previously spiral bound) and has a custom slip cover.

Baldwin, Douglas

Art Center Wives Club records

  • RG 18
  • Coleção
  • 1956-1977

Newsletters, minutes, correspondence, photographs, and other materials document the planning activities, events and meetings of the Art Center Wives Club. The majority of the documents is the club newsletters which provide information regarding the club and its members. Often the newsletters included annual schedules, membership lists, and synopses of meeting minutes. The second largest group of materials is minutes and mostly mirrors what can be found in the newsletters. Correspondence includes letters to the general membership, thank you notes, and invitations to Art Center Wives Club events such as the new student reception and an Annual Student Faculty party. Guidelines and suggestions for how to run meetings, program schedules, and questionnaires sent to the members all provide additional insight into the club’s activities. A play script written by a club member and performed for new students, is a humorous look at the wives’ view of their husbands’ experiences at Art Center. Two photographs also document the women working on the play.

Art Center Wives Club

Jonathan Simle papers

  • SPEC 83
  • Coleção
  • 1973-1976

The Jonathan Simle papers are photographs taken by Simle while he was a student, including portraits of Edward A. "Tink" Adams and Richard Avedon. Also included is an enrollment packet sent to Simle upon his admission to Art Center.

Simle, Jonathan

Randy Stokes photographs

  • SPEC 49
  • Coleção
  • 1975

The Randy Stokes photographs are slides he took of early construction of the Art Center hillside campus building designed by Craig Ellwood Associates.

Stokes, Charles R.

Channing Gilson papers

  • SPEC 34
  • Coleção
  • 1951, 1972-1973

The Channing Gilson papers consist of correspondence related to Art Center's fundraising campaign for the new Pasadena campus, a copy of his diploma, and a few Society of Art Center Alumni items.

Gilson, Channing

Biba publication collection

  • SPEC 111
  • Coleção
  • 1968-1973

The collection contains a complete set of six Biba mail-order catalogues (1968-1969) that showcases clothing from the Biba department store in London run by Barbara Hulanicki. The catalogues were designed by John McConnell and featured different models and photographers. Also included is the 1973 Biba newspaper, commemorating the opening of the new Biba department store in Kensington.

Biba (Firm)

Otto Halmer plaque

  • SPEC 89
  • Coleção
  • 1967 September

The Otto Halmer plaque was given to the Photography instructor by the Art Center black and white photography lab upon his retirement in September 1967.

Robert A. Sandberg papers

  • SPEC 52
  • Coleção
  • 1966

This small collection consists of a copy of the Art Center commencement speech given on September 23, 1966 by Robert A. Sandberg, then Director or Advertising and Public Affairs, Kaiser Aluminum & Chemical Corporation, and one black and white photograph of Sandberg.

Sandberg, Robert A.

Robert Gage photographs

  • SPEC 63
  • Coleção
  • circa 1965

The Robert Gage photographs are images of an Art Center Photography class field trip to the beach shot by Gage while he was a student. The photos show Eddie Kaminski (and his dog), other students, and a lobster at the water's edge.

Gage, Robert

Ronald Kwan photographs

  • SPEC 43
  • Coleção
  • 1963-1965

The Ronald Kwan photographs are images of Art Center students and faculty looking at GM cars on the front lawn. Also included are images of a student project on display.

Kwan, Ronald

John Coleman papers

  • SPEC 32
  • Coleção
  • 1956-1963

The John Coleman papers consist mainly of photographs of an Art Center trip to Japan. Coleman, along with President Edward A. Adams, Transportation faculty George Jergenson and alumnus Frank Y. Nakamura (PROD 1956), went to Tokyo, Osaka, Nagoya, and Kyoto from November 3 to December 21, 1956 to conduct a series of clinics, lectures, and factory visits to discuss and observe contemporary industrial design.

Coleman, John

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