The Gordon E. Smith papers are mainly images taken by Smith while he was a student and as a professional food photographer. Also included is a packet from the Art Center School consisting of a cover letter, his grade transcript, and a Certificate of Completion.
The Lorraine Streeter photographs were collected by Streeter while she was Director of the Photography Department. The collection consists mainly of class photos and student work. In many of the class photos, the students pose with a sculpture of a man's head.
The J. Lloyd LeMaster papers are photographs of LeMaster and his friends as students, including an image of Al King's classroom. Also included is an enrollment letter and receipt for his first class at Art Center.
The Richard Hartt photographs consist of a single portrait of Photography Department faculty member C. K. Eaton. The image was probably taken by a student for a class assignment and captures Eaton's fun personality.
The Charles McHose papers are a photocopy of a typed manuscript created by McHose that pays tribute to Joe Farrer's clay modeling work on the 1967 Shelby Mustang. The manuscript was presented to his widow, Rosa Farrer, at the 2007 memorial for Joe at Art Center.
This small collection consists of a copy of the Art Center commencement speech given on September 23, 1966 by Robert A. Sandberg, then Director or Advertising and Public Affairs, Kaiser Aluminum & Chemical Corporation, and one black and white photograph of Sandberg.
This small collection consists of publications about the Southern California Cooperative Wind Tunnel (SCCWT). The tunnel, built in 1945, was owned by four aviation companies and managed by Caltech. The building is now part of ArtCenter's south campus at 950 South Raymond Avenue.
The Robert Gage photographs are images of an Art Center Photography class field trip to the beach shot by Gage while he was a student. The photos show Eddie Kaminski (and his dog), other students, and a lobster at the water's edge.
The Morgan Sinclaire photographs are images of Art Center Photography Department field trips and studio assignments shot by Sinclaire while he was a student. Also included are photographs he took later in life while traveling.
The Jason Hailey papers are mainly photographs taken by or of Hailey while he was a student in the Photography Department. Also included are a course announcement, syllabus, and photographs from when he returned to Art Center as an instructor. The exhibition announcement is for a photography show he was in with other Art Center alumni.
Artwork by Virginia Adams, late 1930s-early 1940s, consisting of 20 pieces of mostly advertising original art, many in mat boards 7.5" x 8". Enclosure titled "Los Angeles Fashion Report Spring 1939" with 9 loose sheets of original fashion artwork. Several printed advertisements (some on newsprint) for I. Magnin & Co.
The Joseph Weston papers are original artwork and digital photographs of artwork made by Weston (GRPK 1958) when he was a student. Also included are Weston's memoirs of Art Center and his first job after graduation.
The Harold Stegman papers consist of a silent film he created as a student and a book of photographs that supplemented the project. The workprint footage documents the operations of the California Production Service of Southern California, a petroleum company. Also included are two articles about Stegman’s professional work.