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1700 Lida Street, Pasadena (Calif.) With digital objects
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(L-R): Gary Carbonell (PROD 1996), Todd Masilko (PROD 1996), and Joakim Ahlstrom (PROD 1996) holding what look to be trophy models labelled "Tread Lightly".
(L-R): Gary Carbonell (PROD 1996), Todd Masilko (PROD 1996), and Joakim Ahlstrom (PROD 1996) holding what look to be trophy models labelled "Tread Lightly".
(L-R): Gaylord Eckles, unidentified woman, Don Kubly in the student gallery.
(L-R): Gaylord Eckles, unidentified woman, Don Kubly in the student gallery.
(L-R): Gaylord Eckles, unidentified woman, Don Kubly in the student gallery.
(L-R): Gaylord Eckles, unidentified woman, Don Kubly in the student gallery.
(L-R): Phil Hays, artist Alan Cober, Ellen Cober, and Donald Kubly on the campus patio.
(L-R): Phil Hays, artist Alan Cober, Ellen Cober, and Donald Kubly on the campus patio.
(L-R): unknown, Donald Kubly and Craig Ellwood standing on the front steps of the newly completed building. Craig Ellwood was the graduation speaker.
(L-R): unknown, Donald Kubly and Craig Ellwood standing on the front steps of the newly completed building. Craig Ellwood was the graduation speaker.
(R-L): Untitled Corten Steel by Bruce Nauman, Untitled (for Leo Castelli) by Donald Judd, The Try-al by Michel Gerard, and Saddle by Anthony Caro in the sculpture garden.
(R-L): Untitled Corten Steel by Bruce Nauman, Untitled (for Leo Castelli) by Donald Judd, The Try-al by Michel Gerard, and Saddle by Anthony Caro in the sculpture garden.
(Re)Presenting Place exhibition.
(Re)Presenting Place exhibition.
3-Dimensional Design. Andrew Ogden (TRAN 1983) and Brad Markin (TRAN 1983) (L-R) finish sanding foam core joints and clean up detail seams prior to skinning their model with a self adhesive skin.
3-Dimensional Design. Andrew Ogden (TRAN 1983) and Brad Markin (TRAN 1983) (L-R) finish sanding foam core joints and clean up detail seams prior to skinning their model with a self adhesive skin.
3-Dimensional Design. Daniel Darancou (PROD 1984), Rob McCann (TRAN 1983) and Jean-Claude Bouvier (TRAN 1983) (L-R) (Group V) use tape to add details prior to adding decal material to simulate window graphics.
3-Dimensional Design. Daniel Darancou (PROD 1984), Rob McCann (TRAN 1983) and Jean-Claude Bouvier (TRAN 1983) (L-R) (Group V) use tape to add details prior to adding decal material to simulate window graphics.
3-Dimensional Design. Full-scale models parked in front of the Hillside Campus.
3-Dimensional Design. Full-scale models parked in front of the Hillside Campus.
3-Dimensional Design. Harry Bradley critiquing the models of cars as they are positioned around the Art Center campus, again integrating them into a functioning environment to evaluate scale, compare them with existing vehicles and judge their worth or impact. The students from the class are standing listening to the critique.
3-Dimensional Design. Harry Bradley critiquing the models of cars as they are positioned around the Art Center campus, again integrating them into a functioning environment to evaluate scale, compare them with existing vehicles and judge their worth or impact. The students from the class are standing listening to the critique.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Instructor Harry Bradley conducts a final critique in front of main entrance of Art Center College of Design with cars parked along curb in order to simulate real-world circumstances, as closely as possible, removing students and their cars from the isolation of the classroom.
3-Dimensional Design. Mark Commentz (Group III) mixes spackle and uses this common household material to smooth out imperfections prior to final painting of the car.
3-Dimensional Design. Mark Commentz (Group III) mixes spackle and uses this common household material to smooth out imperfections prior to final painting of the car.
A 1974 Ferrari Dino 246 GTS drives under the bridge of Art Center's Hillside building. The shot was taken from the stairs at the front entrance looking to the north end.
A 1974 Ferrari Dino 246 GTS drives under the bridge of Art Center's Hillside building. The shot was taken from the stairs at the front entrance looking to the north end.
A classroom set up with student work on the walls and tables.
A classroom set up with student work on the walls and tables.
A close-up shot of students in Gaylord Eckles class setting up their "brick powered dragsters" in the atrium.
A close-up shot of students in Gaylord Eckles class setting up their "brick powered dragsters" in the atrium.
A close-up view of a section of windows and metal framework from Art Center's Pasadena campus building.
A close-up view of a section of windows and metal framework from Art Center's Pasadena campus building.
A computer graphics lab.
A computer graphics lab.
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