Catalina Project. Students getting their boats ready. John Coleman is in frames 21-24, and George Jergenson is in frames 14, 15.

• SPEC 32-2004.83.285
• Unidad documental simple
• 1961

Parte deJohn Coleman papers

Unknown (photographer)

Catalina Project. George Jergenson is seen riding the circular boat in frames 27 and 28.

• SPEC 32-2004.83.283
• Unidad documental simple
• 1961

Parte deJohn Coleman papers

Unknown (photographer)

Catalina Project. George Jergenson is seen in frames 26, 27, and 28.

• SPEC 32-2004.83.286
• Unidad documental simple
• 1961

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. Frank Nakamura, George Jergenson, Edward A. Adams, and John Coleman at a post-dinner meeting in Tokyo.

• SPEC 32-2004.83.1-2004.83.1.4
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. John Coleman, Frank Nakamura, George Jergenson, and Edward A. Adams touring the Juki Sewing Machine company.

• SPEC 32-2004.83.6-2004.83.6.2
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. Edward A. Adams, George Jergenson, Frank Nakamura, and John Coleman at an outdoor dinner in Tokyo.

• SPEC 32-2004.83.3
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. Edward A. Adams, John Coleman, and George Jergenson touring and meeting at a bicycle company.

• SPEC 32-2004.83.9
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. Frank Nakamura, Edward A. Adams, and George Jergenson touring a factory floor.

• SPEC 32-2004.83.5-2004.83.5.17
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. John Coleman, Frank Nakamura, and George Jergenson examining fans during a presentation.

• SPEC 32-2004.83.187-2004.83.187.26
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. George Jergenson, John Coleman, and Frank Nakamura during a presentation.

• SPEC 32-2004.83.187-2004.83.187.23
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. Frank Nakamura, George Jergenson, and John Coleman during a meeting.

• SPEC 32-2004.83.187-2004.83.187.11
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. A farewell party.

• SPEC 32-2004.83.217
• Unidad documental simple
• 1956

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. George Jergenson and Edward A. Adams in a meeting at Shimadzu.

• SPEC 32-2004.83.213-2004.83.213.18
• Unidad documental simple
• 1956 December 10

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. John Coleman, Frank Nakamura, and George Jergenson examining some gauges at Shimadzu.

• SPEC 32-2004.83.214
• Unidad documental simple
• 1956 December 10

Parte deJohn Coleman papers

Unknown (photographer)

Art Center's trip to Japan to report on the future of Japanese industrial design. John Coleman and George Jergenson discussing gauges at Shimadzu.

• SPEC 32-2004.83.213-2004.83.213.13
• Unidad documental simple
• 1956 December 10

Parte deJohn Coleman papers

Unknown (photographer)