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With digital objects
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A figure painting class is working from a model as Stanley Reckless gives instruction to students.
A figure painting class is working from a model as Stanley Reckless gives instruction to students.
Eugene Fleury talking with a student as he paints from a nude female model.
Eugene Fleury talking with a student as he paints from a nude female model.
Harry Carmean critiquing a student's painting while the class works from a male model.
Harry Carmean critiquing a student's painting while the class works from a male model.
Harry Carmean critiquing a student's painting while the class works from a male model.
Harry Carmean critiquing a student's painting while the class works from a male model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Paul Souza critiquing a student's painting as the other students paint from a nude model.
Paul Souza critiquing a student's painting as the other students paint from a nude model.
Paul Souza critiquing a student's painting to the entire class. There is a nude female model posed at the front of the class.
Paul Souza critiquing a student's painting to the entire class. There is a nude female model posed at the front of the class.
Paul Souza talking with a student while the rest of the students paint from a male model holding a violin.
Paul Souza talking with a student while the rest of the students paint from a male model holding a violin.
Students drawing from a female model posing in Lorser Feitelson's class.
Students drawing from a female model posing in Lorser Feitelson's class.