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Feitelson, Lorser Fine Art Department--Classes (Groups of students) With digital objects
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Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit.
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit. The student behind Feitelson is Greeley Wells (FINE 1969).
Lorser Feitelson and a group of students viewing paintings used in a traveling exhibit. The student behind Feitelson is Greeley Wells (FINE 1969).
Lorser Feitelson critiquing Peter Lloyd's (MFA FINE 1968) work with Lloyd.
Lorser Feitelson critiquing Peter Lloyd's (MFA FINE 1968) work with Lloyd.
Lorser Feitelson critiquing a student's painting as the other students continue painting.
Lorser Feitelson critiquing a student's painting as the other students continue painting.
Lorser Feitelson critiquing student work in an Analysis of Form class.
Lorser Feitelson critiquing student work in an Analysis of Form class.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
Lorser Feitelson critiquing students' paintings as the class paints from a nude female model.
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